從商周石韻到康熙瓷風的千年巡禮
當春風輕拂，多祿溙拍賣廳內的紅木案幾在柔和燈光下靜靜鋪陳，一場跨越數千年的文化對話正悄然展開。斑駁的石質肌理、溫潤的玉色包漿與清雅的青花釉彩，在光影之中彼此呼應，構成一段由時間沉澱而成的藝術敘事。
本季春拍，多祿溙隆重呈獻來自同一藏家的四件重要私人收藏。從早期文化風格的石雕瑞獸，到戰漢時期的玉獸佩飾，再到漢代熊形玉雕，直至清康熙官窯青花大碗，四件作品如四段被珍藏的歷史切片，在拍場之上重新匯聚，等待與新的守護者展開一場跨越時空的相遇。
這不僅是一場拍賣，更是一場私人收藏的文化巡禮——藏家數十年來以工藝、時代與文化脈絡為核心，耐心守護，讓這些散落於歷史長河中的珍貴之作得以完整呈現。
As spring gently arrives, the red wooden tables of the Dorothy auction hall are softly illuminated, setting the stage for a cultural dialogue spanning several millennia. The mottled textures of stone, the mellow patina of jade, and the refined blue glaze of blue-and-white porcelain resonate quietly with one another, forming an artistic narrative shaped by time.
This spring, Dorothy proudly presents four important private treasures from a single collector. From an early stone-carved auspicious beast, to jade ornaments of the Warring States and Han periods, a Han dynasty bear-shaped jade carving, and finally a Kangxi imperial blue-and-white bowl, these four works come together as carefully preserved fragments of history, awaiting a new dialogue with their future guardians.
This is more than an auction—it is a cultural journey of private collecting. Over decades, the collector has focused on craftsmanship, historical context, and cultural continuity, allowing these remarkable works to be preserved and reintroduced to the world in a complete and thoughtful manner.
商周風格石雕瑞獸把件
花斑石中的早期文化象徵
Shang and Zhou Style Stone-Carved Auspicious Beast
Early Cultural Symbolism in Variegated Stone
作為本次拍賣的重要開篇之作，此件商周風格石雕瑞獸把件以罕見花斑石為材，黑灰交織的天然紋理如歲月暈染的水墨，呈現出厚重而內斂的古樸氣息。瑞獸蹲踞昂首，造型凝練而富有張力，右肩圓潤穿孔顯示其曾具備佩飾或禮儀用途。
在早期文明階段，石質器物常被視為承載文化觀念與精神象徵的重要媒介。此件作品在造型語言上延續了同時期器物中常見的抽象化審美特徵，兼具力量感與象徵意味。藏家早年於海外市場收藏，來源清晰，保存狀態良好。
As an opening highlight of the auction, this Shang and Zhou style stone-carved auspicious beast is crafted from rare variegated stone. Its naturally interwoven black and grey textures resemble ink washes formed by time, conveying a restrained yet powerful sense of antiquity. The beast appears crouched with its head raised, its form compact yet dynamic, while a smooth perforation on the shoulder suggests its former use as an ornament or ceremonial object.
In early cultural contexts, stone objects often served as carriers of symbolic meaning. This piece reflects the abstract aesthetic language characteristic of its period, combining a sense of strength with symbolic expression. Acquired by the collector overseas in earlier years, it boasts clear provenance and excellent preservation.
戰漢黃玉古意獸佩
黃玉沁色中的溫潤氣質
Warring States–Han Yellow Jade Beast Pendant
Gentle Refinement in Time-Worn Yellow Jade
此件戰漢時期黃玉古意獸佩，以和田黃玉為材，質地細膩溫潤，表面自然沁色柔和含蓄，增添古雅韻味。玉獸伏臥蜷身，線條流暢，背部穿孔工藝精巧，兼顧美感與實用。
戰漢時期，玉器逐漸成為人格與審美象徵。此件作品以簡練而準確的雕刻語言，展現玉獸的警覺與靈動，是當時溫潤審美取向的典型代表。經權威機構鑑定，為重要傳世之作。
This yellow jade beast pendant from the Warring States and Han periods is carved from fine Hetian yellow jade, prized for its smooth texture and understated patina developed over time. The beast is shown reclining, its lines fluid and balanced, with a carefully executed perforation that enhances both function and form.
During this era, jade objects increasingly embodied ideals of character and refinement. With restrained yet expressive carving, this pendant captures vitality and elegance, making it a representative example of period aesthetics. Authenticated by authoritative institutions, it is a noteworthy surviving work.
戰漢熊形玉雕
玉質圓雕中的祥和意象
Warring States–Han Bear-Shaped Jade Carving
An Auspicious Image in Rounded Jade Form
此件熊形玉雕以青黃玉為材，沁色自然交融，圓雕手法塑造出沉穩而親和的形象。熊形端坐，比例勻稱，細節刻畫生動，體現戰漢至漢代玉雕的成熟工藝。
熊形在漢代文化中常被視為力量與守護的象徵。此作在細節與整體之間取得良好平衡，兼具藝術性與文化內涵。藏家早年於海外收藏，來源清楚。
Carved from blue-yellow jade, this bear-shaped sculpture features naturally blended patina and a fully rounded form. The seated bear appears calm yet powerful, with balanced proportions and lively detailing, reflecting the refined jade-carving techniques of the period.
In Han cultural tradition, the bear often symbolized strength and protection. This work harmonizes craftsmanship with cultural meaning and was acquired overseas by the collector, with clear provenance.
清康熙青花過枝雲龍紋大碗
青花釉色中的高等級審美
Kangxi Blue-and-White Bowl with Over-Branch Dragon Design
Refined Aesthetics in Brilliant Blue Glaze
此件清康熙青花過枝雲龍紋大碗，胎釉潔白細膩，釉面溫潤明亮。過枝紋飾內外呼應，構圖流暢，層次分明，展現康熙時期官窯青花成熟而自信的藝術風格。底書「大清康熙年製」六字款，識別度高。
藏家於二十年前購自香港重要拍賣場，原為歐洲私人收藏，是康熙官窯青花中的優秀代表。
This Kangxi period blue-and-white bowl features a finely potted body, lustrous glaze, and a dynamic over-branch dragon design that flows seamlessly across interior and exterior surfaces. The decoration demonstrates the confidence and sophistication of Kangxi imperial kiln production. The base bears a six-character Kangxi reign mark in regular script.
Acquired at a major Hong Kong auction two decades ago, formerly from a European private collection, it stands as an outstanding example of Kangxi blue-and-white porcelain.
藏家守護｜The Collector’s Guardianship
這四件作品背後，是一位藏家數十年的靜心守護。今日，它們齊聚多祿溙春季拍場，不是終點，而是新的開始——讓時間的痕跡在當代延續，讓文化的故事繼續流轉。
Behind these four works lies decades of dedicated guardianship by a single collector. Their appearance at the Dorothy Spring Auction marks not an end, but a new beginning—allowing history to continue its dialogue with the present.
